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‘Meet Me at the Upside Down Table’ Tyler Moorehead, 2018.
Tea experience inspired by Japanese tea ceremonies and board game play. The installation and experience draw on the 1906 english text Book of Tea, by Okakura Kakuzo advising citizens to ‘cherish their unpolished selves’.
Encounters are designed as shared reflections to encourage empathy and appreciation of a stranger over a cup of tea. The method translated the 4 guiding principles of Japanese tea ceremonies: harmony, respect, purity and tranquility, into a form of ritual play.
Sessions were guided by table cards at each position, providing a structure for guests to progress their reflections.
Benches were designed so cause guests and hosts to rise and sit simultaneously in order to ensure the stability of the shared seat.
At the end of the session, guests selected a ribbon and entered a reflection room to leave a message for future guests.
Meet Me at the Upside Down Table is a reference to displacing tablecloths to uncover both tables and truths. With the sting of protocol and discipline removed, the role of pristine, hard starched tablecloths is to hang idly as sculptures or as bench supports and do no harm.
Photos: Bernadette Baksa
‘Meet Me at the Upside Down Table’ Tyler Moorehead, 2018.
Tea experience inspired by Japanese tea ceremonies and board game play. The installation and experience draw on the 1906 english text Book of Tea, by Okakura Kakuzo advising citizens to ‘cherish their unpolished selves’.
Encounters are designed as shared reflections to encourage empathy and appreciation of a stranger over a cup of tea. The method translated the 4 guiding principles of Japanese tea ceremonies: harmony, respect, purity and tranquility, into a form of ritual play.
Sessions were guided by table cards at each position, providing a structure for guests to progress their reflections.
Benches were designed so cause guests and hosts to rise and sit simultaneously in order to ensure the stability of the shared seat.
At the end of the session, guests selected a ribbon and entered a reflection room to leave a message for future guests.
Meet Me at the Upside Down Table is a reference to displacing tablecloths to uncover both tables and truths. With the sting of protocol and discipline removed, the role of pristine, hard starched tablecloths is to hang idly as sculptures or as bench supports and do no harm.
Photos: Bernadette Baksa
Meet Me at the Upside Down Table
Plywood, recycled felt, vegetable tanned leather, vintage lace and linen textiles.
At the centre of the installation is a bespoke ‘tea table’ in the form of an esoteric board game. The table was inspired by origami with leaves designed to function as a magical valise. Handmade cards guide the session.
Guidance card and sample items concealed below the flaps in the tea table designed and fabricated by the artist.
Designed for participation
As a site-specific installation in a disused cork factory adjacent to a London Underground station, the work reached out to people living, working and passing through a cultural and commercial hub in London, SE1.
MEET ME AT THE UPSIDE DOWN TABLE
Observers peer through hangings of sculpted lace and linen tablecloths to watch progressive tea ceremony unfold.
Testimonial following visit to the Upside Down Table experience
Testimonial following visit to the Upside Down Table experience